Thursday, October 23, 2025

unit 4 Assignment

 Unit 4

assignment


what affordance do today music technologies possess?
what affordance of daws? 
what are the affordances shaping you own musical practices?

The cost of stuff you need to make music now is really affordable and what you need for out home making music such as logic pro is a good start and the cost of this is £199.99 which is affordable and with this you need the technology to do this such as a mac and a scarlet solo and headphone this is very affordable 
this is better to get set as it keeps the cost down 
even the iMac if you get it second hand it can be really cheap 

 This make it easier for musician to do musical personally and it cut out the middle man. 
my own experiences is with buying a microphone which when your buying one you have to look at the the whole picture such as how good in the dynamic microphone where to get this because buying anything such as instrument and microphone you want to stand out you want you music to be great and if you have something cheap you not going to achieve this 

in this image is an imac which will be used to use logic pro








 This make it more assessable to anyone now once upon a time you could not do this you had to go to an actual studio which you can still go to a studio however this is more money in the long run where as if you do it at home you have paid that all you have all the tools you need. This is shaping my own future in music as this will be away to get my name out there and all I have had to do is pay for the equipment and not had to hire a place nor equipment

In 2023, 120,000 music tracks were uploaded to the streaming services every day. When we have such abundance, what outcomes might we expect? 

The outcome to expect as it is very easy to upload music to and record music its makes it harder for new musician to be found as there are so many and it doesn't matter what streaming service you use there is just so many but not as many listeners. but the average music put out is still rising and the problem with that there may be copies of the song there may also be a hint of ai as this is being used now and with that there are no more originals as each person has there own taste in music but there is only so much you can make yourself and people will copy as there not enough sounds which is going to make it harder for future artist as that idea may have already been used and that when the legal battle start as people have right to their music The listeners are going to get bored and that when your own music career goes down the drain. This is all because it very easy to put out music but its just as easy to get lost in the amount of music coming out  

What strategies do you think you might adopt to get your music noticed in such an environment?  

 

The strategies to get my music heard is to build a very strong online presence as it is important to find your specific audiences which this will help get your music heard. this is by using TikTok, Facebook, Instagram any where you can post snip bits of you music to pull the listener in and that what you you want to pull them into find more of what you do. 

secondly would be to build a world around you music like what your genre is what you want your music videos to be and this can also be posted online to let the audience see what you do to get the music out to them and how much work goes into it and to show your passion for music. create mood board to see what ideas you have let the audience help[ you they are the ones who are going to listen.  

but its not to posyt every day but to show fans you remember the tell the stories of what your up to so people can relate to you and show your just like a normal person working with a normal life and that music is you job is your hobby and that anyone can reach there goals. adapt to each platform as it is as they may be different type of audience on each.  

thirdly will be getting creative with ads as I said earlier show them snip bits draw them in with some album covers its all about what you can hear and what you can see 

and lastly it will be about structuring you page to make it easier to find your music to put them in playlist as we all like to make playlist for everything this will make people want to come back to save your song its all about putting the audience first. 


Are traditional music skills still relevant? 

yes traditional music skills are still relevant the reason for this is because this is what the foundation is to be a good musician to have self discipline, to be able to listen to a song and improvise so you can recreate the song.  To be able to memory train. to be able to time keep. to be able to work as a group. if you use an instrument to have good eye hand coordination you have to have self discipline and to learn about different cultural history as if your writing a song about a specific cultural you have to know about them so it is politically corrects otherwise this can make or break a song. To be able to make cues for those who don't have a common languages that's not a barrier for music as we just prepare and understand where we want to go in music again it working as a team which is crucial. sight and reading is another crucial skill to have to be able to read chords and to be able to relay this on to your own instrument. to master you instrument that can what you play personally I use my voice so it is training my voice to go with the song. to understand the genre you are playing. 


As a musician what are you bringing to the table? What should you be bringing to the table? And, artistically, what have you got to say?   

 

As a musician what I will be bringing to the table is my voice and with my voice I am relied on a lot as each person needs to know when and where they come in know with a vocalist they know the lyrics and they are the cues in which to come in it is very important for me to show up as this will work with timing and how loud each person play and why i have to get the lyrics right and even better to not have the lyrics in the hands as it very unprofessional. What I should be bringing to the table is my reliability if your unreliable the band will eventually get tired of it and get rid of you, so time management is important communication is another one which is important. I should also bring my stage presence as vocalist are usually front and stage my song writing ability as this will be a way to write songs ourselves which will make us more successful. To take owner ship in what you do to be confident in what io do as this will be more likely to succeed and being anxious on stage is when thing don't go right 


What makes a piece of music “good”? 

Emotional Impact
The Melody
Lyricism and Storytelling
Arrangement
Chord Progression
Production Quality
Rhythm and Groove
Cultural Impact
Innovation



Monday, October 13, 2025

unit 4 Electronic Music

Electronic

music

The device I will be talking about is microphones. The many microphones which have been and that have influenced microphones to this day and how they have become better. Microphones are important part of music as without them vocalist would not have been able to be heard.  

The first recorded microphone was Alexander graham bell liquid transmitter in 1976. How this microphone worked was through sound waves creating vibration which transferred to a needle which was attached and in the water which then turned electrical current into sound. This was invented in the US  


 I have included an image of this microphone  

During 1876-1877 there was two other microphone which were also invented. The carbon microphone/ carbon button microphone was invented by Thomas Edison and Emile Berliner. How this microphone works is by transmitting sound to electrical audio signal and how this was done was two metal plates which were separated by carbon granules: one plate is thin and this is facing who is talking and this act as a dome in which sound is hitting the dome and this causes vibrations and this causes pressure on granules and this changes the electrical resistance and creates a varied current which changes the sound. The second microphone was made in 1870s the name of this microphone was the moving coil microphone. How this microphone worked was compared to a miniature sound electrical generator. And this was by the coil vibrating within the magnetic field creating soundwaves which varied depending on the pressure. 




I have included images of both microphones 

We made a big jump in time with the next microphone which was called the condenser microphone this was made in 1916 this microphone was invented by E.C Wente at bell lab it was used at first for acoustic research. What is acoustic research you may ask? Acoustic research is the study of sound to improve sound systems and improve quality.  this device was not commercially available until 1922. The next microphone which i will be talking about is the bottle.which the rightful name for this microphone is Neumann CMV3 this was the first mass produced condenser microphone  it was a go to product as the capsule was able to be changed to pick up different patterns the very well known use of this microphone was from world war two for the broadcast that where made especially  by  Hitler. 


I have included a picture of these microphones 

 

The next microphone we will be discussing is one that was made in 1957, and this was after the war life is just getting back to normal and people wanted a pickup so many bands and singers where out such as Elvis, chuck berry, Bo didley. That's just some examples. But the microphone which came was the wireless microphone also known as a radio microphone which was made by Raymond. A. Litke. What made this microphone so big was because it lack of cables which made it easier to move with singers and not forcing the person to stay put. 

i have included image

Thursday, October 9, 2025

Unit 3 assignment


Unit 3: Music Industry

assignment

we decided to do our powerpoint on forensic musicologist my group member where Sophie, Star and Elliot 
each of the members had something to reserch and i was the one that was doing the powerpoint and Sophie, Star and Elliot after the reserch made a script on which we will be using to successfully present it next week i have included pictures of the power point and the script   










Industry Roles

The role I have chosen
is a music therapist
What does the role entail? (A day in the life of your chosen role. This can be a case study of a real professional in this field)

A day in a life of a music therapist would be to work in a therapy clinic that can be in a prison or in an nhs setting such as a hospital or work in a private hospital or school its is a very emotionally demanding job but what you would do is meet clients of all ages maybe from the same family but also with other professionals.
you would have to asses the clients needs and plan the session for the individual so each session is different but it for each client benefit to be able to reach the goal of the session and to make them feel just ever so slightly better.
The session includes the use of a verity of musical styles and instrument but it is all led by the client or group session so one minute of the day you can be playing a happy Ballard then next a very heavy metal session it all varies which makes the job fun and always something new. you could even be helping someone with trauma or help find a new way to let out anger through healthier avenues.
regularly monitoring progress of each person and writing reports on how this is helping a client then make recommendation for this client and keep record of each client which comes into the setting.
then it is to clean and maintain the instrument's and order new if needs to be.

What are the average wages within the role?

The average salary for a music therapist is with the starting salary of £39000 and for an experienced music therapist is up to £55000 and the typical hours you would do is 37 to 40 hours but this varies and you work evening and occasionally weekends.

What skills are important for this role?

The skills which are in important for this job is counselling skills such as listening and not to be judgemental as we all have our own problems but they have come to you in confidence to help them.
To have an understanding of psychology.
To have an understanding of the fine art.
To be able to have sensitivity to a subject which can be out there and to be able to understand why.
To be able to work with other so this would be about team work.
To be able to stay calm and have patience in stressful situation.
To be able to cope with change and be flexible.
To be able to read people reactions.
To have a knowledge of technology so you can carry out basic task on a handheld device.

What qualifications and/or experience do you need for the role? (If any)

The qualifications and experiences you need to get this role is you can either go down the university route or an apprenticeship route. The first thing would be to get a postgraduate course in music therapy and register with the care professions council
You will have to have a degree in music however you might be accepted with a psychology degree and have a high skill in music but its better to have both if you can but you will need 1 or 2 years of paid or voluntary work experience in a different setting such as health, education or social care
But you must have a degree in the relevant subject for a post graduate study.
With the apprenticeship you could do an art therapist level 7 degree apprenticeship
you will need qualification or experience in art, drama or music to apply and again a degree in the relevant subject.

What routes can you take to gain employment in this role?
With experience from the last question the ways you can go down to get employed it to


1. become self employed and build your own practice but in my point of view if you want to go down this route its best to start with the apprenticeship as your learning on the job then as least you have experience.

2. teaching music therapy is another avenue


3. With experience you could become a senior music therapist and mange a team of therapist or a music therapist unit


4. or you can do music therapist research.

What organisations (If any) should you join to carry out the role successfully?

The organisation which can be joined to carry out this role is you can join the British association for music therapy. you can go down the NHS route its just all about know the right place to go
an introduction to music therapy

how to train to become a music therapist

how to become a music therapist






professional practice


The professional practices i will be using is to work on my weakness which is learning the lyrics of by heart and to make sure I am able to write a song that work for everyone and not just myself. time management would be to make sure my band goes over all the songs over and over again and not sit and do anything as repetitive can help a lot as this will embed it in to people brains to make sure if there is a bit that we are stuck we can get right so when it come to performing there no space for error.

 health and safety measure to go round before rehearsal check all the wire are in good condition to check all the amp are properly spaced out so there is not chance of short circuiting or trip hazard and to make sure all the band members have ear protectors in. when people audiences are paying money they want a good show and to have fun but also have a lot of professional with is it to always be safe on stage and to not mess about as this can cause danger. to be professional all the time. 

local rehearsal venues

My first venue which I have chosen is 
sound haven studios
the opening times are displayed

Monday - Friday

12 PM - 11 PM

Saturday - Sunday

10 AM - 10 PM
the address is also on the website
SA1 Business Park, Unit 25 Langdon Rd, Port Tennant, Swansea SA1 8DB

price list 

 

also has information on if any instruments need to be hired and the cost 


you can also contact this studio if any needs 
it is fully equipped
it has been running for 12 years and it is ran by musicians 

The pro to sound haven studio are its has easy access with the website and easy to find information 
it is ran by musicians and it is quite affordable  

Rhondda Street Studio
Address: 135 Rhondda St, Swansea SA1 6EU
Phone: 07814 039771
Hours: 
Friday 10 am–6 pm
Saturday 10 am–10:30 pm
Sunday Closed
Monday Closed
Tuesday 10 am–10 pm
Wednesday 10 am–10 pm
Thursday 10 am–10 pm

there are more cons with Rhondda street studio as it does not have a website you can only find information with ringing them up and when you need to find a studio in a rush you want to know about it straight away 
the pros of this studio it is small so it makes the sound better 
there are no recent reviews they are all 6 years old 

this one does not have a website so you to ring them up for any information you are looking for 
hot jam studio
T:01656 224425
E:info@hotjamstudios.co.uk

Live Room
£16 per hour

Better suited for larger groups

Ambient Live Room with Full PA System 

Full room spec available HERE

Book Online
Studio A
£14 per hour

Ideal for 1-4 piece groups

Solo Practice Discount Available

Full room spec available HERE

Book Online
 

 

Studio B
£15 per hour

Ideal for up to 3-5 piece groups

Fully Acoustically Treated Room 

Full room spec available HERE

Book Online

STUDIO A -
P.A System

Behringer X1622 Mixer
2 x 15″ Mackie Thump Powered Speakers
Bluetooth Connectivity
Vocals

3 x Shure SM58 Microphones
3 x XLR Cables
3 x Hercules Mic Stands
Guitar

Marshall Studio Vintage Head / Orange 4x12 (16ohm)
Victory Kraken / Victory 2x12 (16 ohm)
Vox AC15
Bass

Ashdown Bass MAG 300 head / Ashdown 4 x 10 cab
 

 

Drums

4 Piece Mapex Black Panther Retrosonic Drum Kit
Ludwig Copperphonic Snare Drum
DW 5000 Single Kick Pedal
DW 5000 Hi Hat Stand
Evans Drum Heads
Roc n Soc Drum Stool
Drums Rug
MoonGel Dampening on request
Cymbals Rental Available (Meinl HSC + £2 per half hour)
Studio

Acoustically Treated Room
3 x Guitar Stands
2 x Music Stands
Whiteboard
Bluetooth Connectivity to P.A System
Power Multi-Socket
Refreshments and Spare Parts available
*Equipment provided in Studio A may be subject to change

Information & Prices
Studio A rental is £14 per hour
Solo Discount available for a musician to practice on their own £8ph
1 hour minimum booking time
Cymbal rental available at + £2 per half hour
Free Parking
Free Customer WiFi
Toilet facilities
Free cancelations up until 48  hours prior to booked start time*
Cash, Card or Bank Transfer Payments Accepted
Refreshments and spare parts available

STUDIO B -
P.A System

Yamaha MG12XU Mixer
2 x 15″ Yamaha DBR15 Powered Speakers
Bluetooth Connectivity
Vocals

3 x Shure SM58 Microphones
4 x XLR Cables
3 x Hercules Mic Stands
Guitar

Orange Rocker Terror / Orange 4x12 (16ohm)
Orange Jim Root Terror/ Zilla 2x12 (8 ohm)
Fender Hot Rod Deluxe Combo
Bass

Orange Bass Terror/ Orange 4 x 10 cab
Keyboard

Roland Go Keys Keyboard
Gravity Heavy Duty Keyboard Stand
 

 

Drums

4 Piece DW Performance Drum Kit
Ludwig Black Beauty Snare Drum
DW 9000 Single Kick Pedal
DW 9000 Hi Hat Stand
Evans Drum Heads
Roc n Soc Drum Stool
Drums Rug
MoonGel Dampening on request
Cymbals Rental Available (Meinl HSC + £2 per half hour)
Studio

Acoustically Treated Room
3 x Guitar Stands
2 x Music Stands
Whiteboard
Large Floor Fan
Bluetooth Connectivity to P.A System
Power Multi-Socket
Refreshments and Spare Parts available
*Equipment provided in Studio B may be subject to change

Information & Prices
Studio B rental is £15 per hour
1 hour minimum booking time
Cymbal rental available at + £2 per half hour
Solo Rehearsal Discount Available in Studio A (£8ph)
Free Parking
Free Customer WiFi
Toilet facilities
Free cancelations up until 48  hours prior to booked start time*
Cash, Card or Bank Transfer Payments Accepted
Refreshments and spare parts available

pros to this venue is it is very professional there is only one bad review which is usually a good sign as they have only had one unhappy customer



Thursday, October 2, 2025

unit 3 industry roles presentation

unit 3 industry roles presentation

  • manager
  • sound engineer 
  • stage designer
  • event planning/ management
  • marketing
  • roadie
  • performer/musician
  • drumtech 
  • session musicians 
  • label manament 
  • producer 
  • driver
  • lighting
  • stage manager
  • costume
  • singer
  • composers 
  • foley artist 
  • forensic musicologist









The role i will be choosing forensic musicologist

m.u. musicians union 
prs . performer rights society
mcps. mechanical copyright 
ppl : protection service 


Unit 2 - major scale theory

Unit 2

major scale theory


what is a musical scale?


what is a chord?


what is interval (in musicals)?

distanced between notes


what is the difference between a tone and a semitone?

what are the notes of c major scale?

the major scale interval formula is?

T T S T T T S

task 1

f# major scale

F#, G#, A#, B, Ç#,  D#, F, F# 

c# major scale

C# ,D#, F , F# , G# ,A#, C


 1  3  5
i  c  e  g 

using the page above i used logic and i created the notes in logic 

which is a major c



unit 8 progress

unit 8 progress week one: 10th march In week one I have made a start of writing my proposal either Wednesday of Friday my band will sit down...